A sea gull perches atop a stone column in Park Circus. Overlooking Glasgow, the bird sits stoic in the winter wind and calls intermittently into the night. Below the gull, a female face carved into the grey stone has been gifted a sad, delicate mask by the cold weather. Minute ice eyelashes grow from her face and water drips from the cracks in her profile.
A man sits near the column on a worn wooden bench. Tired from walking through Kelvingrove Park, he lets his eyes close over while watching a plane in the sky - the tail light flickering like the colourful lure of a microscopic fish that swims thousands of meters deep in the sea.
Behind the man and his bench, a row of well kept houses is broken by a blackened building. Lined up within these grand structures, the decaying house looks like a singular rotting tooth within a mouth of otherwise beaming teeth. And from this ruin scuttles a black rat - across the concrete and up to the man’s bench - where it nimbly scales a wooden leg to sit on the armrest.
Astonished, the man fixes his eyes on the little animal and then goes pale as it begins to speak.
'Do you live in Glasgow?' he squeaks from his sitting spot.
'I don’t. I am just a visitor', the man replies automatically, still glaring at the rodent.
The man’s head empties as he watches a red light floating above the Clyde grow and expand in the distance until his vision is blurred and everything around him is bathed in colour. Temporarily anaesthetised by the light and feeling a new calm, the man restarts conversation with the rat.
'What is your name? Do rats have names?' he asks.
'They do indeed, and mine is Alfred. I have lived in Glasgow my whole life, born and bred. My family used to live by the river but we were forced up here during my youth by a spring flood.'
'My God.... I am astounded to hear you say that Alfred, not least because you are a rat, and up to this point I had lived my life unaware that rats could speak, let alone possess a manner as friendly and knowing as you clearly do.'
'Well thank you, but I must tell you my manner is often put to the test up here. Do you see that seagull over there, he is a right pain is that one. I have the displeasure of living fairly close to where he nests with his wretched lot. Never stops squawking I tell you! Some mornings I wake up and berate him, serve him the most heated of verbal lashings, yet he carries on like a ghastly fog horn, day and night.'
'Does he have a name too?'
'Of course, his name is Finsey.'
'My word, and can he speak too Alfred?'
'Don’t be so silly, Finsey is a seagull. They do not speak - all they do is squawk at ungodly hours.'
'Oh right then.'
The man watches a yellow street light flicker softy in the distance, somewhere near Argyle Street. He imagines the flicker as an electricity pulse trapped under the tarmac skin of the city, coursing from Cessnock to Partick looking for an escape route, as an air bubble released from the lung seeks the ocean surface. He wonders if he is dreaming.
Looking back down to his new friend, the man feels pressed to talk about the surrounding city.
'Can you help me with something that has been troubling my thoughts Alfred?' the man tentatively begins.
'Today, as I was walking around Glasgow I looked at a stately building in George Square and thought of the dissected trunk of a tree, complete with hundreds of growth rings radiating outward from the centre. Because that is what cities are aren’t they, hundreds of concrete layers building on top of each other? Take Glasgow for example, the first settlers must have constructed a few simple buildings with their bare hands, and from that small nucleus, a huge city has grown. Even now it still grows! With concrete and slate and mud we continue to grow it, adding layer upon layer. Do you understand?'
Quiet now, Alfred considers the statement. The rumble of the city is a quiet presence around the pair; it ticks over continuously, like some giant sprawling machine working in a distant land.
'I do, but I am afraid your analogy is flawed', Alfred replies.
'For you see, a city may be growing, but in the same moments of creation come moments of destruction - new buildings appear to replace old ones in a cycle of regeneration. Your process is therefore inaccurate, and we cannot seek out the city’s history using just buildings; no matter how old they are, for humans are dreadfully wasteful. They are just as fast to destroy a section of city as they are a field of trees.'
'But may I suggest something else?' the rat continues.
'If you want to look deep into the history of a city and trace back the growth, quantify those layers you speak of, then you should look to the river or more specifically the riverbed - which is the Clyde in Glasgow’s case.'
'Are you talking about what is buried in the river bed?'
'I am. And I have a slight confession to make here. For I am no ordinary rat- oh no my friend - I am a time travelling rat. While living in those muddy crevices by the Clyde in my youth, I was able to dig into days long past.'
Animated now, Alfred paces backwards and forwards along the armrest of the bench, pausing often to speak with heightened excitement.
'Using a buried network of old sewage pipes I dug deeper into the riverbed. Descending through those layers of sediments and muck, I was moving into the past, for the riverbed records time, it captures whatever surrounding growth is occurring.'
'I found all manner of objects down there, pieces of steel shrapnel from the ship building days to artefacts of clay pottery from before that, and even carved stones – probably used to steady the river banks by the earliest settlers.'
The man listens intently and takes his time considering everything the rat has spoken of, eventually providing Alfred’s perked, expectant ears with a response.
'So, we could say that these layers of sediment are closer to the growth rings of the tree I described earlier?'
'Yes, I believe so.'
Pleased, the man relaxes and smiles at his companion. The headlights of a passing car brighten their surroundings and Finsey takes flight from his column, a final squawk ringing out into the night. The man senses that his time with the rat is coming to an end.
'You are without doubt the wisest and most personable rat I have ever met, but I guess that we shall not meet again?'
'I am afraid so my friend.'
And with that Alfred leaps from the armrest to the ground, then scuttles to the decaying building from which he appeared.
After watching the rodent leave, the man walks to the nearby stone column. At the base, the wind has gathered a pile of wet decomposing leaves. The man picks one up then holds it in his fingers against the horizon, and lights from the city illuminate the delicate veins branching across the leaf.